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Formed on Canvey Island in Essex in the early 1970s Dr. Feelgood remains one of the most popular and exciting live rhythm and blues acts in the world. The raw and uncompromising style of their performance resulted in the album Stupidity that immediately went to the number one position in the U.K. charts.

Dr. Feelgood have also enjoyed global success with a string of hit singles including Roxette, Back in the Night, Milk and Alcohol, Down at the Doctors, She Does it Right, Going Back Home and See You Later Alligator - which gave the group their first gold record.

The last album to feature Lee Brilleaux  - Down at the Doctors, was recorded live at the Dr. Feelgood Music Bar on Canvey Island, (now the site of the Oysterfleet Hotel) just two months before he died.

The current line up features the rhythm section Kevin Morris on drums and Phil Mitchell on bass, both 29 years in the band andSteve Walwyn on guitar who has been with the band for 23 years.  Vocalist Robert Kane (formerly of the Animals) is the most recent addition – joining in 1999.

Recent releases include a DVD - Live in London and CD Repeat Prescription - a collection of some of the bands most enduring songs but with a fresh approach.

Julien Temple’s film Oil City Confidential released on 2nd February 2010 tells the story of the bands formative years featuring the Wilko Johnson era.

May 2011 saw the digitally re – mastered re release of Chessmasters originally released in 2000 on EMI Records … the band’s tribute to the Chess label, home to many of the finest blues artists of the 20th century and the first Dr Feelgood album to feature Robert on vocals.

The band continues to tour extensively throughout the World.



When explosive natural ability collides with fiery, emotionally charged compositions, the result is Aynsley Lister; an incredible guitarist whose brand of blues-based rock delivers contemporary song writing fuelled with the kind of heart and soul that’s missing from so much
modern music. Whether passionately writing and recording his own material or mesmerising audiences at his live shows one thing is abundantly clear: music is hard-wired to his DNA and flows from his fingertips like sonic bolts of lightning. With over 100,000 albums sold, lashings of critical acclaim and years of high profile touring, Lister’s resumé speaks for itself and firmly secures his position as a leading light in the resurgence of British blues-infused music. In hindsight, it's clear Aynsley was born to be a musician. As a child he was hypnotised by his dad's old guitar and at the age of eight was finally gifted his very own. The moment he held that first six-string the outcome was inevitable; he was going to be a guitarist. Blessed with the coolest dad in town, regularly spinning Hendrix, Cream, Fleetwood Mac and a whole host of bewitching blues for his spellbound son, Aynsley taught himself to play with relentless dedication and a precociously attuned ear, spending hours copying his favourite records note for note. Peter Green, Albert King, Clapton and Kossoff weren't just his heroes; they became his teachers.

Blazing a trail in a bar band from the age of 13 honed his skills and in 1998 Thomas Ruf signed Aynsley to his label, hooking him up with Stevie Ray Vaughan's producer Jim Gaines to record his self titled debut disc, kicking off a successful relationship with Ruf Records that
saw him release 7 albums and 2 DVD's in ten years. Their influence, coupled with his dynamite live shows and intense touring schedule, earned high profile support slots with established artists like Walter Trout, John Mayall and Robert Cray, whilst rousing festival appearances alongside artists like the Fun Lovin' Criminals cemented his standing as an artist whose work, although rooted in blues, transcended the genre with a fiery modern sound. In 2007 Aynsley was the only British artist to be named in Classic Rock magazine's "Top 10 Contemporary Blues Artists", alongside John Mayer and Joe Bonamassa. In 2008 Aynsley's huge crossover potential saw him sign to Manhaton Records and the following year released 'Equilibrium', an album that exposed Lister in his best ever form and stormed into Classic Rock’s Top 50 Albums of 2009. The subsequent tour saw Aynsley playing to sold out shows to over 16,000 people whilst opening for the legendary Lynyrd Skynyrd, after which he and his band relocated to the Tower Arts Centre and with the tape rolling, nailed a cracking rendition of their high-octane live set to produce the storming 'Tower Sessions' record, which was consequently voted ‘Best Live Album’ in the 2011 Blues Matters Writers Poll.

Aynsley is currently touring his latest album, Home, which is out now on his own label, Straight Talkin’ Records. The album has featured in recent issues of Guitarist Magazine, Classic Rock, Blues Matters and HiFi Magazines among many others and has received some
of his greatest reviews yet!



Kyla's voice remains a stunning example of the soul singer's art: turning up the heat by degrees, lulling and charming before unleashing emotional catharsis, and blurring the distinction between pleasure and pain like the soul greats of old. Whether fronting the mighty Kyla Brox Band, or harnessing undiluted soul power in a duo with musical and life partner Danny Blomeley, Kyla Brox is without doubt the most authentic UK blues and soul singer of her generation.
Born in Lancashire in 1980, she was exposed to the passion of Afro-American music at first-hand from her blues singing father, Victor. She traces her interest in singing from age three, partly from a desire to be closer to her charismatic but distant dad. She was the late product of the marriage between Victor (Caiaphas in the original cast recording of Jesus Christ Superstar) and Annette (the 'maid by the fire' in the same), and, unlike her elder sisters, gifted but non-professional singers, she didn't spend her formative years in the back of a touring van under a cloud of cannabis smoke.

Kyla joined the family business in 1992, singing with Victor onstage at Band On The Wall at the age of 12, and performing with his regular touring group shortly afterwards. The core of the Kyla Brox Band go back to this remarkable unit, nominally the Victor Brox Blues Train, but known as 'the child slavery band' for the extreme youth of the players. As well as Kyla (13, but could pass for 21), it contained bassist Danny Blomeley (13, but could pass for eight), and drummer Phil Considine (19), both Kyla Brox Band mainstays.

A two month stay at Victor's house in France at the age of 16 was a period of growth and development. Then, in 2000, she accompanied her father on an extensive tour of Australia. Blomeley had left the Blues Train to travel the world, and, to ease the blow, he promised to find Victor some dates in Australia. Kyla, just turned 20, found herself singing risque blues songs to hard men in mining camps in remote parts of the outback. This was the trip that transformed the novice singer into a seasoned soul belle.

Back in Manchester in 2001, Kyla and Danny formed a duo, occasionally augmented by old members of the child slavery band: the Kyla Brox Band was born! They plied their trade in Victor's old stomping grounds in North West pubs and clubs, before a career-making performance at Colne Blues Festival in 2002 sealed Kyla's reputation as the first lady of the British blues.
The line of development can be traced through Kyla's six albums. From the 2003 debut Window, where the tone is summery and romantic, to the acoustic Grey Sky Blue (2009), where hopes and longings are freighted with deeper emotions, via the blues/soul calling card Beware (2003), the band triumph Coming Home (2004) and the more introspective Gone (2007). The songs have developed too: the team of Brox/Blomeley have grown into a potent songwriting force, writing in the blues/soul idiom with an individual, nicely personal touch.

In an age of conveyer belt pop stars and emote-by-rote singers, Kyla Brox is the real deal.

Singer, guitar player and songwriter Debbie Bond has been paying her dues in the Alabama backwoods for over 30 years. Influenced by the famed sounds of Muscleshoals, her impressive musical story includes years of performing with older traditional Alabama blues musicians, including Johnny Shines, Sam Lay, Eddie Kirkland and Willie King. Her immersion in Alabama blues has deeply flavored her guitar playing, soulful voice and original song writing - yet her sound is contemporary and original, incorporating soul, blues, and jazz influences. Her latest recordings have received critical acclaim in the US and Europe and should propel her career allowing her to step out of the shadows of those great musicians now passed she played with most of her career. 




The Brian Rawson Band is a Glasgow-based, contemporary blues band and have appeared at a number of Blues festivals throughout the UK and Ireland including; "HRH Blues", The Maryport Blues Festival, The Dereham Blues Festival and the Derry Jazz & Big Band Festival in Northern Ireland and are scheduled to appear at the Maryport and Stafford Blues Festivals this summer as well as venues throughout the UK and Northern Ireland.

To date, they've appeared artists such as; Coco Montoya, Jo Harman, Simon McBride, Ryan McGarvey, Virgil & The Accelerators, Buck & Evans, Pat McManus, The Brew and Wishbone Ash and will be promoting their forthcoming CD, "Hard to Believe", at the gigs and festivals they are scheduled to appear at throughout the UK and Ireland over the coming months.




Dynamic rock/blues band Red Butler is fast making a name for itself across Britain and Europe. Audiences instantly tap into the fire and passion generated by the young band from Brighton.

November 2016 saw the culmination of 18 months preparation with the release of the band’s lovingly crafted second album, "Nothing To Lose" produced at Superfly Studios by Wayne Proctor. The music represents a journey for the band and has been well received by their supporters, new fans and the music media. This album follows the success of Red Butler’s debut release, "Freedom Bound" in summer 2014. The ‘Nothing to Lose’ tour extended through October-December showcasing the new album and the extended line-up. Those performances thrilled audiences as the band unleashed its energy with control and power.

‘Nothing To Lose’ is a collaborative project drawn from the band members’ individual experiences of life and music. Red Butler see the need to deliver a message to younger people whilst retaining the support of their established blues/rock audience. Influences include SRV, Free, Red Hot Chili Peppers, Foo Fighters, Gary Clarke Jnr. and artists such as Royal Blood and Vintage Trouble. Touring with the Laurence Jones Band, Billy Walton Band and Danny Bryant added enormously to the band experience. Their solo tours have helped them hone their craft and delight audiences across the country. The coming year will provide the opportunity to develop the full potential of Red Butler.

The power and sensitivity of their music has seen Red Butler win national awards. Successes include: 

Alex – runner up in Young Artist category – British Blues Awards 2016.
Band – third place in Best Blues Band category – British Blues Awards 2016.
Representing the UK at the European Blues Challenge in Italy 2016.
Winners of the UK Blues Challenge 2015.
Runners-up in the British Blues Awards 2015 (Alex, Young Artist and Band, Emerging Artist).
‘Best New UK Act’ 2014 – Blues Matters Magazine

Alex Butler established the band in 2012 and for a long time the line up comprised Alex (lead guitar and backing vocals), Jane Pearce (lead vocals), Charlie Simpson (drums) and Mike Topp (bass and backing vocals). With the heavier sound of ‘Nothing To Lose’ Dan Spellman (guitar and backing vocals) joined the line-up. The end of 2016 saw the biggest change to date when Jane opted to leave the band to pursue her own career. Dan has stepped into the role of lead vocalist having performed with other bands and is already exciting audiences with his voice and stage presence. The search is on for another vocalist, which could give Red Butler the exciting possibility of twin vocalists.

Solid Entertainments Presents... Durham Blues Festival